BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’(🤼)s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’re meant to do, and the questions have yet to find answers. But as long as there’(📟)s a reasonable amount of blood, then there’s nothing to worry about.

藝術家(🗃)自古皆寂(🍆)寞或許是(💁)境界，人到(🖖)中年萬事(shì )憂則是現(👠)(xiàn )實。在畫(📺)(huà )室洋洋(🐛)灑灑呈現(🌔)自由雄風(🚠)的裸男畫(🛸)作令他一(🤺)舉成名，在(🏹)家面對前妻懷着新(📘)歡(🅰)(huān )骨肉、與(yǔ )女兒(🏏)相處(chù )尷(🎶)尬卻令他(🛐)一籌莫展(😋)。貝蒙特的(👷)寂寞，在於如何在著(🍣)名畫家與(😜)單親(qīn )爸爸雙重(chóng )身(🐿)份、藝(yì(⏺) )術創作與(〰)(yǔ )家庭生(🌀)活之間取(👓)得平衡。維(💶)羅（《電影(🚽)就在街角(🕠)》，35 屆）找來(🦕)合作多年的編(biān )劇兼(🎹)美指(zhǐ )好(🐝)友對號(hà(👈)o )入座，還原(🏹)藝術家有(⛓)血有肉的(🍢)矛盾本性(🥣)，在出世與(🛤)入世的兩難外，毋忘(🥝)點(🛍)點(diǎn )超現實的(de )幽默(🥖)。

Laura Wagner has a promising career as a young auctioneer, but her life looks set to fall apart when she's the victim of a rape. The rapist is a well-known and respected gallery owner, and the assault takes place after a cocktail party. Laura knows it's unlikely she'll be believed if she files a complaint. But that same night the gallery owner's wife is murdered at home, and the husband is a suspect. His alibi is that he was raping Laura. When the police ask Laura to confirm the alibi, she realizes she can take her revenge by letting her rapist be convicted of murder

不(bú )管这(🏧)导演嗑了(🕝)什么很纯(🥙)的，全部都(🚒)要给你来一点！在澳(🚍)洲这座曾(🏎)经(jīng )被称作「无主之(🖨)地(dì )」（(📇)Terra Nullius）的(de )大陆(😎)，历史以前(✊)所未见的(🌊)观点重新(🏾)诠释：当(👉)《疯狂麦斯(🎤)》末日场景(🎵)成为难民(mín )拘留地，食(🐂)人羊成(ché(🌼)ng )为反殖民(🚠)叛乱份子(🕯)，《沙漠妖姬(🥞)》与电视剧(😿)《请喜欢我(🙇)》有了跨时(😹)(shí )空的酷儿(ér )对话(🛍)…(🗯)…本片以近(jìn )似DJ取(🐄)样混音之(🕉)拼贴手法(🥁)，打开了虚(💟)构与史实(🚬)间的神秘(🔗)黑洞，大量(🎯)援(yuán )引电(👞)影名(míng )场景与历(lì )史(👝)典故，穿越(🏝)时空与各(🐜)种语境，重(🛶)写、改写(☕)、乱写，全(✔)面毁坏观(🔔)众的三观(🤭)！这是一部(🍧)(bù )政治复仇(chóu )预言，杂(🐉)(zá )揉讽刺(💷)喜剧、生(🧒)态恐怖与(🕘)公路电影(🍒)类型，写下(🎉)澳洲国族(🕹)神话从未(💲)被(bèi )纪录的史(shǐ )诗(🛋)篇(⛽)章。

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《水族魂(hún )1944》电影取(🍼)材于上世(🐑)纪40年代抗(🎌)日战争日(🌑)本投降前(🔥)夕，发生在(🌴)贵州三都(🍲)水族自治(zhì )县九阡镇(zhèn )的真实(🔛)历(lì )史事(🚲)件。编剧多(📔)次实地采(🧙)风走访，在(🈴)走访了当(🧕)年亲历者(🛅)和掌握大量的史实(⏫)资(zī )料后，通(tōng )过写实(🤪)的(de )手法再(✡)现了当年(🎳)水族人民(🌪)英勇抗击(➡)日本侵略(🌿)者的故事(🚲)，体现了中(😂)国(guó )人民抗击(jī )侵略(🙁)者的(de )决心，谱(pǔ )写了(🌤)一曲贵州(🌛)少数民族(😨)人民抗击(🎁)日本侵略(⚽)者的英雄(🧖)赞歌！《水族(🚚)魂1944》这部电(diàn )影在抗日(rì )战争爆(📛)发(fā )80余年(🦏)后的今天(🅱)推出，其真(🤵)正意义于(🔏)中华民族(🏆)抗战有益(🐹)，更是贵州抗战历史(🚗)上(shàng )不可磨灭(miè )，是光(🛀)辉(huī )灿烂(👤)，浓墨重彩(📯)的一笔，对(🛸)贵州少数(🌵)民族抗战(🎀)的肯定和(🍰)宣扬有着(🥤)重(chóng )要的作用(yòng )。

查理(🏖)和(hé )布希這兩(liǎng )名(🥃)熱衷靈異(📃)事件的追(🐖)鬼狂熱者(➗)，只要哪裡(🏞)鬧鬼就能(🔒)見到他們(🀄)的身影。兩人對(duì )於全美最(zuì )凶(🔔)的靈異(yì(🙃) )地點「悲(😅)慘山」公(🌖)路深感著(😚)迷，當然不(👪)可能輕易(📧)放過這個捕捉鬼影(🎳)的難得機(jī )會。而兩(liǎ(🍡)ng )人在抵達(🍙)(dá )當地後(🎓)，也接連目(🍂)睹各種離(🕹)奇詭異的超自然現(🐣)象。

Three men struggle to save their relationship while traveling across country in search of a doctor they believe will make one of them well.

ユミは(🛤)夫と娘の３人暮らし(😯)。近々引っ越しを考(♟)えている(📝)。ユミは娘(🧗)のレイナ(🐨)が時折う(✈)わ言を発(🌀)すること(🌧)が、少々気にかかっていた。転(♑)(zhuǎn )居の報(🧖)告も兼ね(🌦)て友人ヒ(🤝)ロミと久(🏣)々に再会(📠)するユミ(🆖)。話題はいつしか「(🐍)あの日」のことに。「(👥)私たちが(🔇)埋めた時(🗳)、本当に(🚃)死んでた(🏋)のかな？」。ユミは(👳)「あの日(📖)」のことを清算(suàn )す(🔡)べく、サエ、アコ(🏂)にも再会(🔎)を決意し(🚱)、廃墟の(🌹)ような家(🐉)に一人で(🐤)住むサエ(⛔)に会いに行く。サエは、見(jiàn )知(🐸)らぬ少女(🍀)が現れて(📄)娘だと言(🗯)って聞か(⤵)ず、しば(💝)らく一緒(❄)に暮らしていたが(🍒)死んだこと、そして(💹)少女は死(📥)んだまま(🏖)その家の(🌑)３階に寝(🏳)かされているとい(🎩)うことを(📩)話し出す。(C)「黄泉(quán )が(💶)える少(shǎo )女」製作(🦑)委員会