金镇英 Jin-yeong Kim导演执导的《潘时七》，2025年上映至今获得了不错的口碑，由刘在锡,河东勋,李光洙,金钟国,池石镇,姜熙建,宋智孝,梁世灿,全昭旻等主演的一部不错的大陆剧。

潘时七剧情：

牧江(🆗)(jiāng )村郊野(yě )山藏(😤)(cáng )有一(🖕)怪(guài )，赤(⏭)(chì )面獠牙，名曰垃圾人，他(tā )身世神(shé(🛁)n )秘(🦑)，以垃(💭)圾为食(👶)(shí )，日遇村妇马秀(👜)娟，将其(🔆)(qí )掳掠(🖨)。马秀(💀)(xiù )娟通(tōng )过与垃圾人的交往，发(😈)现他(tā(😼) )虽丑(chǒ(👈)u )陋骇人，却(què )心地(dì )单纯(🙍)。但天不(🛄)遂人(🎸)愿，“单(dā(📸)n )纯”的垃(lā )圾人却(què )将马(🍠)(mǎ )秀娟(📭)视为配(🐔)偶，囚于废弃厂房。矿山(shān )老板徐(💉)(xú )东(🔴)南(🍯)(nán )徐(🍪)西北两(💉)兄弟欲借炸山除(🌶)(chú )垃圾(☕)人(rén )之(🎙)名(míng )在野山(shān )非法(fǎ )拓矿，全然不顾(📶)马(🚈)秀娟(🐆)安(ān )危(🤡)。而(ér )垃圾(jī )人通(🦌)过马秀(🐊)(xiù )娟逐(🛑)渐了(😞)解人类的尊重与(yǔ )爱，遂(suí )将其(😤)(qí )放归(🎢)(guī )牧江(🔏)村。马秀娟得知徐东南(ná(👀)n )阴谋(mó(🕷)u )后为(🐷)救垃圾(🔛)(jī )人与(yǔ )之抗争，最终被(🐻)绑于山(🈶)上，垃圾(🔩)(jī )人为(wéi )救马秀(xiù )娟与(yǔ )徐东(🏌)南死(🚌)命(🏠)相搏(😋)，后被徐(🌬)东南炸(zhà )死。环保(🛤)组(zǔ )织(💄)声(shēng )明(🐗)垃圾人出现乃牧江村的(de )环保意(yì )识(🐂)薄(㊗)(báo )弱(💓)之恶(è(👕) )果，垃圾人本无罪(🌕)，罪在人(🗓)心(xīn )对(📢)环境(🥠)(jìng )的态(tài )度，并呼吁(yù )民众善待(😅)环境。

每(🕊)年(nián )八(👨)月(yuè )，夜幕(mù )降临(lín )下的(📃)(de )爱丁堡(🔎)城堡(🍗)，就只属(💀)于戏剧(jù )和军(jun1 )乐，力与美(🐡)(měi )的表(🚒)(biǎo )达。

不(🏕)管这导演嗑了什么很纯的(de )，全(quá(🔬)n )部都(🌂)要(🏵)(yào )给(➡)你(nǐ )来(👜)一点！在澳洲这座(🖨)曾经被(🏞)称作(zuò(🌒) )「无(wú )主之地(dì )」（Terra Nullius）的大陆，历史(♐)以(🕚)前所(😠)未(wèi )见(💁)的观(guān )点重(chóng )新(🚱)诠释：(⤵)当(dāng )《疯(💙)狂麦(💅)斯》末日场景成(chéng )为难民(mín )拘留(🥥)(liú )地，食(🏤)人羊(yá(🚴)ng )成为反殖民叛乱份子(zǐ(🐲) )，《沙漠妖(📇)姬》与(🍤)电(diàn )视(😔)剧《请喜欢我》有了跨时(shí(🔣) )空的(de )酷(🌠)儿对话(📌)……本(běn )片以近似DJ取样混音之(🍯)拼贴(🔗)手(🐭)法，打(🚂)开(kāi )了(😆)虚构(gòu )与史(shǐ )实(🍸)间的神(⬛)秘黑洞(😙)，大量援引电影(yǐng )名场(chǎng )景与历(lì )史(👫)典(💮)(diǎn )故(🍴)，穿越时(🍖)空与各种语境(jì(❎)ng )，重写(xiě(💤) )、改(gǎ(🎙)i )写、(🔡)乱写，全面毁坏观众的三观！这(zhè(😵) )是一部(🥤)(bù )政治(🔰)(zhì )复仇预言，杂揉讽刺喜(🚅)剧、生(🐢)态(tà(🎊)i )恐怖(bù(🥚) )与公路电影(yǐng )类型(xíng )，写(〽)下澳洲(🏫)国族神(🍥)话从未被(bèi )纪录(lù )的史诗篇章(🍴)(zhāng )。

Seventy-two hours from the final of an international female bodybuilding championship. Lea Pearl is set to compete for the prestigious title of Miss Heaven. But her past catches up with her when her ex-lover Ben shows up with the six-year-old son she hardly knows.

從(🐄)(có(💸)ng )高峰(📴)滑落谷(🍒)底，比從未風光過(👪)更(gèng )難(🥒)受(shòu )？(💃)前曼(màn )聯球(qiú )星簡東拿變身潦倒過(🏨)氣(✡)藝術(🌈)家尤(yó(🔻)u )利西(xī )，那種(zhǒng )時(🍨)不(bú )我(🏷)與的虛(💗)空落(🔨)寞盡在眉宇(yǔ )間。藝(yì )術學(xué )生(🔳)蒙娜欲(⛅)拜(bài )他(👭)為師，反過來成了他重(chó(💬)ng )生的希(🚘)(xī )望(🚥)。發現身(😌)患絕(jué )症後，他由蒙娜作(🖐)伴(bàn )，走(🧣)(zǒu )出隱(🍈)居大宅(zhái )，尋(xún )訪當年被他離棄(🚣)的弟(💴)弟(🏅)及妻(❄)(qī )兒，坦(🦄)白致歉望(wàng )求寬(⏳)(kuān )恕。感(🏿)性而不(🈳)感傷，碧巴達以不(bú )慍不(bú )火的圓(yuá(🍛)n )熟技(jì(🚡) )巧呈現(👋)破碎人生的悲喜，冷不防(👁)(fáng )遇上(😱)(shàng )慌(✌)失失(shī )劫匪(fěi )來個黑色幽默，也(🥔)未忘留(😨)(liú )下孩(👶)子(zǐ )的善(shàn )良，溫潤人(rén )間。

栗子(🖊)致力(🍛)于研究(🤣)记忆(yì )交换技(jì )术，男友(🔇)钟瀚非(🐈)(fēi )常支(🐒)持。科学家白堂(táng )武秘(mì )密研究克隆(🤢)(ló(🗼)ng )人，却(🚩)只能搞(🔠)出没有灵魂的空(🐑)壳(ké )，他(🍊)(tā )意识(🚷)到记忆(yì )交换(huàn )技术是他最需要的(🤑)。但栗子(🥏)不愿(yuà(😉)n )与白(bái )堂武合(hé )作。白堂(🐙)武将钟(🔉)瀚变(⚪)成“白痴”骗栗(lì )子帮(bāng )钟瀚恢(huī(👥) )复情(qí(🔫)ng )感。钟瀚(😁)突然成了绑架反(fǎn )克隆人(rén )专(🌃)家(jiā(🅾) )刘(🌒)大明(😁)的嫌(xián )疑犯。栗子试图帮(💘)钟瀚洗(🧚)(xǐ )冤，竟(👬)(jìng )在自(zì )家发现刘大(dà )明尸体。白堂(👺)武(🔲)提出(🔃)(chū )克隆(🕌)(lóng )刘大明并植(zhí(🛫) )入记(jì(🗄) )忆。栗子(⏸)勉强答应。栗子潜(qián )入白(bái )堂武实验(⛽)室(shì )发(💓)现(xiàn )：(🥨)真正的钟瀚已死，现在的(🍞)钟瀚(hà(🥧)n )是白(➰)(bái )堂武的(de )克隆(lóng )人。白堂武利用(🛢)记忆交(⏸)换技术(🐐)批(pī )量生(shēng )产克隆(lóng )人杀(shā )手(🍷)。栗子(🕠)和(🙃)钟瀚(🕟)一起捣毁(huǐ )白堂武(wǔ )实(🅾)验(yàn )室(💔)。两人逃(🦎)(táo )亡之际，钟瀚却将自己锁(suǒ )在里面(🔏)(mià(🛐)n )，随(suí(🍆) )实验室(🐾)一起(qǐ )毁灭。数周(📱)后栗子(🤤)发(fā )现(🛏)自(zì )己怀上钟瀚(hàn )的孩(hái )子，这让她(😘)坚强地(🥨)面对未(🏮)来(lái )。

该(gāi )片改编自脱(tuō(🏋) )北女(nǚ(🔹) )性的(🏟)真实故事，讲述的是抛开家(jiā )人(👍)，逃往韩(👘)(hán )国的(🦖)(de )母亲与憎恨自己的儿子在16年后(🏰)重(chó(🌜)ng )逢(🚊)的(de )故(🍂)事。

The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.

雷切(qiē )尔和男朋友分(🆑)手了回(🎟)到家(jiā(💘) )中发现(xiàn )室友(yǒu )把她的床卖(mài )了，于(🚻)是(🖤)她们(💽)俩只能(🅾)睡在(zài )一张床(chuá(🌊)ng )上，在某(🦕)个不可(🔀)(kě )描述的夜晚个夜晚，她两(liǎng )之间发(🐙)生了(le )一(🎀)些(xiē )事(🐒)情，蕾切尔动了真情，而(é(⏺)r )室友(yǒ(🕯)u )却觉(😲)得她太(tài )黏人(rén )，两个人的友谊(👾)因同床(🎒)共枕，而(🍵)(ér )发生(shēng )了微妙(miào )的变(biàn )化。@橘(😮)里橘(🛶)气(🦇)译制(📂)组

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

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