Konstantin, a son
Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostantin has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol.
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’(🙄)s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
曼(☕)(màn )道(dào )和他的成年(🚞)侄(🏠)子(zǐ )杰克逊使(shǐ )用(😉)星(🕙)体投射来扭(niǔ )转鬼(🐞)魂(🚫)在(zài )万圣节的死亡(🧘)。
在(🏢)贝鲁特(tè )一(🏘)个街角的(🕵)咖啡(fēi )店(dià(🆘)n )二楼，有一(💲)面大大的转(🛺)角(jiǎo )窗和(🔻)一(yī )台电视(🐗)机，一位78岁(✊)(suì )的退伍将(🗳)(jiāng )军和一位81岁的退(tuì(🌬) )伍军医每(měi )天早上都(🌜)会在这(zhè )里碰面，看着(🦐)街(⛰)角车来人(rén )往(wǎng )，做(👀)着(🖐)(zhe )填字游戏，以此对(duì(🍾) )抗(🕎)阿茨(cí )海默综合症(🎨)。伴(🍾)随(suí )两位老(lǎo )人(ré(🤜)n )的(😉)玩笑和字谜，咖啡馆(🧛)的(😍)(de )顾客纷纷登场。本片(🍂)用(😍)发(fā )生在一(🏿)个社会小(💊)(xiǎo )角落16天之(🏛)(zhī )内的一(🕋)系列事件(jià(🤟)n )，四两拨(bō(🤚) )千斤地讨论(👻)了人生(shē(🏆)ng )、政治(zhì )、(🌹)历史等话题；通(tōng )过(🍆)单场景(jǐng )多幕剧的结(🍇)构让(ràng )人感受到(dào )老(🏾)人(✋)们的孤独，以及疾病(👏)(bì(🛀)ng )带来的苦涩，同(tóng )时(💬)(shí(🚥) )映射出(chū )黎巴嫩暴(🕌)力(🎋)事件肆(sì )虐的现(xià(⛸)n )状(🗃)。以小见大，令(lìng )人回(🏄)味(💆)(wèi )。
ユミは夫と娘の３(✴)人暮らし。近(🐕)々引っ越(🚿)(yuè )しを考え(🕋)ている。ユ(🔽)ミは娘のレ(🤽)イナが時(🚈)折うわ言(yá(🤥)n )を発する(🍎)ことが、少(🔲)々気にかかっていた(🕤)。転居の報(bào )告も兼ね(🎆)て(🥓)友人ヒロミと久々(🌞)に(🍟)再(zài )会するユミ。話(😪)(huà(🧚) )題はいつしか「あ(🌙)の(🔓)日」のことに。「私(🤜)た(🈯)ちが埋めた時、本(💀)当(🔍)に死んでたのかな(📝)？(🚵)」。ユミは「あの日」(🏗)のことを清(👣)算すべく(🔩)、サエ、ア(🧘)コにも再(👄)会を決意し(🚃)、廃墟の(🤔)ような家(jiā(🏋) )に一人で(💅)住むサエに(🐆)会いに行く。サエは、(🛅)見知らぬ少女が現(xià(⛹)n )れ(👸)て娘だと言って聞(🌎)か(🛡)ず、しばらく一緒(🏼)(xù(🌜) )に暮らしていたが(🤣)死(👳)んだこと、そして(⛅)少(🎙)女は死んだままそ(👴)の(💓)家の３階に寝かさ(✂)れ(💇)ているということを(💕)話し出す。(C)「(✖)黄泉がえ(🔱)る少女」製(🐯)(zhì )作委員(🍫)会
《梦想(xiǎng )之(🙈)城》是(shì )一(🏁)部现实主义(🌓)题(tí )材(cái )的创业(yè )电(🍻)影。影片展现了(le )佛山作(🍟)(zuò )为改革开放前沿阵(🐑)(zhè(⛽)n )地，40年(nián )来(lái )所取得(😳)的(🐣)巨大成(chéng )就和显著(😖)(zhe )变(🍹)化。故事通过(guò )描写(🥍)在(🤑)风(fēng )云激荡的改革(🛀)开(👌)(kāi )放大潮中(zhōng )，祖辈(🥔)生(🚦)活在佛山(shān )的阿宽(🚫)(kuā(🐷)n )（保剑锋饰）与外(wà(👹)i )来追梦(mèng )者(🌴)北北（金(💭)巧巧饰(shì )）(🚡)等人在(zà(🦂)i )奋斗创业路(📡)上的(de )不同(🦆)经历(lì )、际(😆)遇和人生抉(jué )择，展现(💜)(xiàn )出佛山人“敢为(wéi )人(😂)(rén )先、崇(chóng )文务实、(🔨)通(🐘)济和谐(xié )”的性(xìng )格(👙)气(🍂)质和城市精神(shén )。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.详情
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